One of the best ways to improve your work….

Don’t you wish winter was over? I know I do… I’m more of a spring and summer kinda girl. I can’t wait to work on my garden and grow veggies and soak up some warm sunshine!

Back to my studio, I’m working on a project I can’t wait to share with you! It’s big and will probably take several months to complete. In the meantime, did you know, one of the best ways to improve your work… is to paint every single day. Set a time limit and do your best to stick to it. Start with four hours and then decrease your time limit as you improve. Start with a small canvas with one object and then add a few more as long as you keep it simple. Challenge yourself with a very limited palette like I did on with the bowl of eggs and water and the silver sugar bowl. When your time improves, challenge yourself with a larger piece. Anything is paint worthy. Coffee mugs, teacups, glass or even a rusty old pot. It doesn’t really matter. Pick something and go for it!

Begin with an underpainting using burnt umber and then add color. Try to stick with a very limited palette to challenge yourself even further.

I would Love to see some of your studies! Feel free to post your pics in the comment section below!

Silver sugar bowl

Painting eggs and water1

Apples for christmas

 

 

Coming soon ~ ‘How to set-up a Shabby Chic Oil Painting Studio for the DIY Artist!’

Good morning! I love waking up to Montana’s happy face on my easel, I can’t help but smile back at him :- ) After a stationary bike ride, with a beautiful view overlooking the woods, breakfast and shower, I’ll be back in my studio completing Montana.

Last May, we moved out of a large three bedroom house and into a cabin in the woods. I love it here, it’s so peaceful and serene. I love walking in the woods. The Tall trees are so majestic, standing silently I’m embraced by their energy and I feel so tiny in the enormity of it all. Yet I know it is us who create our reality. We are so incredibly powerful, yet we know nothing of ourselves and how to utilize our powers for the good of the whole.

Marc built me a beautiful studio with a skylight right above my head. About 80% of the entire studio was built using recycled materials. Mostly with large windows. He paneled the walls with recycled fence boards and used them for the floors also. All my studio equipment was custom made with recycled materials, my palette table, my easel and my computer desk. All customized for my needs. I’m going to write a new article on ‘How to set-up a Shabby Chic Oil Painting Studio for the DIY Artist’ with new pictures of my studio with how to build a very functional easel with a slider, that takes up minimal space. How to build a palette table and many more Studio Hacks. I just have a few finishing touches to do and I’ll be ready to share how we did it. Coming soon!

Have a wonderfully Productive day!

Naomi

 

 

Soon my canvases will be overflowing with summer blooms…

Wow, I cant believe I have taken so long to get back to my blog! January since my last post. I have since moved into a new place, a new studio. I’m still unpacking and organizing. Summer is finally on the horizon and my veggie and flower garden has been an important priority as I prefer self sufficiency. I’m also growing my subject matter. Organized my studio and soon my canvases will be overflowing with summer blooms, so exciting!  Pictures coming soon…

Studio Image

Studio Image

Chopin plays his piano and soothes my soul…

It’s a beautiful morning on this first day of March. Although it looks like rain on the way, there is such a beautiful light flooding through my window. I moved my studio upstairs. I don’t know why I didn’t do this sooner. The attic room was purple, but not for long. I painted it a dark sage green. The colour of ambient atmosphere. Perfect for painting people and still from life. I’m so fortunate to have this space in this north-west facing room.  The window light is more than enough light for painting. The natural light is way more uplifting for my spirit. Chopin plays his piano and soothes my soul while I write, sigh…

Here’s an image I took with my iphone of my studio. I love this space. I can close the door and shut the world out while I paint and swoon over the most beautiful music that touches my muse in such a profound way.

my new studio

In reply to your question, Felta, about how I set up a portrait sitting. How long a sitter sits and how much do I get done in one sitting.

I have two windows in my studio. I sit with my back facing the one window, so the window light falls on the canvas on my easel and palette. The sitter sits near the other window. Generally I like a two hour sitting, although I can manage an hour if the sitter falls asleep and needs to go home for a nap. Two of them fell asleep sitting for me yesterday hahaha!

Rolf's portrait

In this image, the sitter, Rolf came over to sit for his portrait quite late in the day and the light began to fade. I turned on a 5000k light and faced it up towards the ceiling. The light bounced off the ceiling and created the perfect light for my sitter. The first sitting took a few hours. This time was spent drawing his face with my brush on a canvas I stained with a wash of burnt umber the day before. I used burnt umber for my drawing. The second sitting was an hour and half. Half the time was spent laying in shadows and searching for the correct colours. I found the right mixes and made notes. The third sitting was in my new studio. An hour, Rolf fell asleep, lol, he had a long day at work, standing all day cutting hair. My studio is so peaceful. I have the most beautiful view overlooking a gorgeous Zen Garden David created. An old blue and gray house in the neighbors yard and the trees behind the house looks so inviting. I am definitely going to paint this view. Soon.

The colours I use for flesh tones are as follows, but first remember this, although we all have our own skin tone recipes, they are never written in stone. Skin tones differ and also depends on what surrounds the skin. Light and colour illuminate the skin. Our skin is like a mirror that reflects everything around it. Here are a few recipes I picked up from Daniel Greene, one of my favorite portrait painters. I found his mixtures to be pretty spot on. I like to premix some of my colours, especially when time is of the essence.

Raw Sienna + Cadmium red light. This is for the reds in the half tones and the hot reds in the shadows.

Chromium oxide green. I’ll explain how I use this colour…

Look at your hand. Hold your had sideways like this.

My hand

Notice that as the light begins to turn to shadow there is a green colour and then the hottest colour is right where the shadow begins. Right next to the hottest colour is green and then the shadow is made up of the ambient colour of the room . You can see it closer to my thumb.  If you notice the top left side of the image, the folds between my thumb and forefinger are red and then surrounded with a subtle green. Notice the green surrounding the indentation.  You will also notice the yellow colour of my skin in the light. Yellow Ochre + White and a dash of purple, I made up of Alizarin Crimson and Ultramarine blue. Always think complimentary colours when you paint skin tone. I use Chromium oxide  Green and the Raw sienna and Cadmium red light mix for the shadows. For the deepest shadows I mix Sap green + Alizarin. Two transparent colours. You want to keep your shadow colours thin. Always tone down your reds with green. Always tone down your greens with red and that includes pinks too, as that is made from reds. Always use complimentary colours to tone down the intensity and Nothing else. For pinks I use Burnt sienna + white. For orange tones I use Burnt Sienna + Yellow Ochre. Always tone down your yellows with purple. Nothing else. Remember, Yellow Ochre is a yellow. I also mix up a pile of Transparent red oxide and Ultramarine Blue for my darks. Transparent Red oxide + Burnt sienna with a dash of blue + White makes a great base for skin tone too. It all really depends on the sitter’s skin tone and the ambient atmosphere. Alizarin and Viridian make a beautiful dark colour for shadows in the the background too. I also sometimes use Viridian in skin tones too, it really depends on the skin tone of the sitter.

As I mentioned in previous posts, make up colour charts of the colours you use. You can’t go wrong. If I don’t know what combination of colours to mix to arrive at a certain colour, I use my colour charts. It’s fail-proof.

skin tone colour chart

Hope this helps, please feel free to ask any questions should I have missed anything.

Good luck and happy Painting!

How to set-up an Oil Painting Studio…

Setting up an Oil painter’s studio can be a costly affair. It doesn’t have to be. In this Article I give you the basics of setting up your studio, how to make your own easel and how to organize your space. I cover the paints and brushes and mediums I use.

To learn more about Oil Painting, I have 10 half hour video series on how to paint a portrait Get your Free Portrait Painting video series here!

I posted a short one minute video on how to mix a fleshtone for a portrait and that Video can be found HERE

Feel free to join us on The Oil Painter’s Studio Facebook Group and get in on all the awesome Videos, Tips and Lessons on everything Oil Painting!

Hope you enjoy the article and if you have any questions, feel free to ask!

photo 3 (2)

Studio

This is a basic set-up with a north facing window. I bought this easel for under $250. I added the wheels so I can easilly move it around. A table for my palette and brushes. In this set-up, extra lighting is not really necessary. Some aren’t so lucky and need some kind of lighting set up to paint.

Lighting

lighting skylight

Lighting is everything. I assure you, I have researched this subject thoroughly. I have tried Every type of lighting on the market. Some Artists are fortunate enough to have a north facing window, this would be an ideal lighting condition, However, some aren’t so lucky. The alternative, 5000k natural daylight. This is inexpensive and I’ve seen all sorts of companies trying to pass off studio lighting for way too much money. I was able to get mine at a fraction of the cost. I am fortunate enough to have a skylight in my studio, however on dark cloudy wintery days, I switch on my panel light, it’s like a skylight without a skylight. It’s best to mount it as high as possible at a 35% angle to prevent glare.

The reason for the 5000k light, is it is the truest light form you can paint to. The colors on your palette and on your canvas remain true. Anything else would be too yellow or orange or blue and can alter the illusion of color and you will end up with a painting that can’t be viewed in any other lighting. If you show your work in an outdoors show, your colors would be off, guaranteed, been there, got the T-shirt. I use this light, it’s pure white, neither yellow nor blue.

lighting

Easel…

Although I love my floor easel, I also designed and made my own wall mounted easel with a slider. You’re welcome to copy my design. I also mounted a stick at the top of my easel on which to rest my hand. If you have a floor easel on casters, I suggest you place it on a rubber mat so it doesn’t move.

Shabbychicstudioeasel attachment

Chest of Drawers…

This is ideal for placing your computer monitor, your brushes and jars of turpentine/medium, whatever you use.

Studio setup

In the top drawer I have placed my colors in a row all along the width of the drawer. This way I can easily find the colors I need. The next drawer down I keep paper towels, rags etc. Next I keep paperwork, receipts, notes and drawing pads.

Palette, brushes, paints and mediums

wall mounted palette

I mounted my palette onto the wall next to my easel. then I mounted a piece of glass I tinted with burnt umber and white.  Here’s an article I wrote on how to tint your palette.  How to tint your palette and why you should

Brushes, I use Mightlon, they’re great brushes for an affordable price.  They hold their shape beautifully and last longer.
Oils, I’m fussy, I love Old Holland classic oils, high quality, the best I can afford. Feels good to work with, smooth and never disappointing.

Mediums. I can’t handle the smell Turpentine. Which means I can’t use Damar crystals. Too hard on the lungs for me, being asthmatic doesn’t help. FYI, Damar crystals do not dissolve in odorless turpentine or Gamsol.
For medium I use Walnut oil and Stand oil and Gamsol’s odorless mineral spirits. It takes a while for Stand oil to dissolve in oms, so give it a week or so to dissolve. Stir, never shake.

Paper towel and clean-up.

I prefer to use paper towel instead of rags to clean my brushes and for turpentine use. This way I can discard the paper-towel and not have turpentine soaked rags under my nose. I also find that the cheapest brand or even recycled paper towel is best. No lint. Avoid the big fluffy rolls of paper towel.

Even though one can’t smell the odorless Mineral spirits, it is still a chemical and is still dangerous. I paint and handle all chemicals and oils with disposable gloves.
A fan is really needed, always have the fan on when using chemicals and a window open is ideal. Vacuum and clean your studio often to rid of dust. Nothing worse than dust and animal hair on your freshly primed canvases or freshly glazed painting.

My favorite brush cleaner is Turpenoid. I can’t live without it. The best ever! It will even clean off hardened stiff brushes, it’s amazing and totally Non-toxic!

Good luck with setting up your studio and happy painting :- )

For those of you who are learning how to paint in oils… Get your Free Portrait Painting video series here!

me painting1

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Grateful for another day to paint…

It’s Thursday morning – I’m sitting in front of my easel contemplating my day’s work. I had hoped to complete this painting of Amanda’s tea party by the end of Friday. I’m so glad I painted the rest of her skin last night before bed. I stood here, midnight, still some mixtures of flesh paint on my palette. I didnt want to waste it, so I bit the bullet, eyes heavy, and painted her arms and hands.  And now….. I’m a happy girl 🙂 Let’s see if I can make my deadline.

I spent some time taking stock of where I’m at and where I’m heading. I’m happy with my progress, although I feel I should be spending a couple more hours a day painting. I do tend to get side tracked. I should be more disciplined. I do tire so easily working on the same piece for too long. So I decided to set up another easel and complete incomplete paintings to break up the monotony. Now to scrape my palette, mix some more paint and then enjoy some yummy java,  hippie style 😉